Because of my musical training, my primary mode of creation is sonic, and greater emphasis is placed on creative acts that are heard rather than seen. To that end, I have spent the last several years building and curating a sound library of field recordings from various locations around the world (Alaska, Canada, Sweden, Finland, and Norway among others).

In my studies at Virginia Tech, I integrate my background in composition and computer music with newfound skills in animation, motion graphics, photogrammetry, human-centered design, generative art, and new media to create sonic and visual art for immersive environments. Currently, I am most interested in making art that engages directly with themes of environmentalism, biomimicry, human-computer interaction, and emergent phenomena.